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Showing posts with label indie. Show all posts
Showing posts with label indie. Show all posts

10.23.2007

Inferno in SoCal

Hey Crafties,
Wracking you brain for ways to help out the parched/burnt communities in Southern California? Know some one who's been evacuated. The Marimello clan alone has about 15 members evacuated from 7 homes. It's enough to make our heads spin.

And spin they did, until we settled on this idea for a charity raffle/donation site. We thought we would set up a collective to raise money for charities in SoCal. Through this new blog, Marimello is looking for donations of items that are less than $5-$10 (your cost), anything bigger will be put into a raffle. The drawing for these items will work thusly: names will come from a pool of anyone who donates, buys, or just sends in a good contribution story will be entered.
Email or leave comments if you can help!

Check it out here: witch-fire.blogspot.com

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10.18.2007

New Craft Spectacular: Get Right Outta Town

Marimello has been contemplating the necessity of a new Los Angeles craft fair. Wouldn't it be fun if you could go to a little indie craft shopping every weekend? Wouldn't mixing and mingling with other crafties be a swell addition to an otherwise football-filled coupla days?

We want to know your thoughts. What have you been dying to see at a craft fair? Any special vendor types you think are missing from the usual mix? What kind of howtos would have you hanging on the edge of your seat? Would you have rocking tunes ala DJ or live band? What part of your stash would you bring and leave or trade on a big table of free goodies?

Inquiring minds want to know...Leave a suggestion in the comments or email the elves at marimellodesign [at] gmail [dotty] com. And derrr, anyone who gives us feedback will be immediately enslaved to help out with the project. Or at least be subject to more brain picking.

We can't wait to hear from you!


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10.05.2007

Teen Vogue does DIY

Not being teens anytime this century, we are unfamiliar with the goings on of Teen Vogue. Back in day, we had Sassy, YM and Seventeen to get our fashion/advice fix. But it's good to see that these days Teen Vogue is keeping in touch with the DIY scene and the teen fascination with couture.

We find this interesting because in our crafty world, recreating couture falls under the umbrella of subversion. Of course this is a fairly recent association to make given that crafters, more specifically seamstresses and tailors, have been recreating the latest fashions for centuries. This whole buying off the rack thing is a wee babe in the grand old house of fashion when you think about it.

But the Teen Vogue articles, from Marchesa to Zac Posen, all involve and highlight the original designers. This is more about giving teens access to high fashion and allowing them to tweak and customize the designs.

Now don't get us wrong. We're all for getting the kids crafting, but we're really hoping two things:

1) That no one is getting parental help on this project. Again, it's not that we don't enjoy mommy's sweaters (xoxo! Mom), but having you mom do your 4th grade math homework didn't go over well with Mrs. Westra then and it doesn't go over with Marimello now.

2) That the theme of making your own stuff doesn't go right over the teens' heads. While it is AWESOME to have your own Tory Burch-esque v-neck avec signature dickie, it's not so awesome to own one that was made by some one who made less than the change you pump into a soda machine in passing period.

We're hoping that the brilliant teens of today figure out how that DIY is a responsible choice and alternative to pawing through cheap knockoffs at the Rack. Not that we made any responsible decisions until we were age 25 or so, but we can always hope.

Check out Teen Vogue's DIY here. And for more on Marimello's irresponsible descision making skills, just try googling us. Back in our day the WAS no MySpace. Back in my day we left no digital footprints and whatever we were doing out so late is lost in the sands of time. Fer Sure.

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I Heart Rummage: Rocktober Extravaganza

Our friends over at I Heart Indie are having a swell event on October 7 (that's Sunday) at the Crocodile Cafe in Seattle. Boy do we wish we were in Seattle soaking up the fall, but it's still 80 degrees outside here. Some of you maybe are jealous of that, but we here at Marimello are freaking sick of our anemic end of summer/fall season...sigh.

Anyway here's the dirt from Cassandra:

It's Rocktober!

Halloween is a favorite in the IHR peeps' household! We love all the spookylicious goodies you find at this time of year. This month at IHR we have a few very cool and spookylicious artists for you to check out for your Halloween goodies!

Look for TC Leathercraft, new to the IHR scene! She has some of the most glorious handmade leather masks and accessories! You will swoon for these!

Our own Miss Oblivious of Payne Creations has promised some extra-out-of-the-ordinary dolls for us us to choose from for this ghoulish holiday season!

We are also lucky to have Carla Sonheim Creative back with us. Carla comes to us all the way from Colorado! She was hugely popular last year when she came to town, so any of you who have been longing to see her fabulous art again, don't miss your chance to see her!

Our special guest for October is everyone's favorite local boutique where you can find your favorite IHR artists during the rest of the month! Bouncing Wall! on Queen Anne! Owner Kim is creating a little artist of her own - due any time now! Congrats!

Our DJ for October will be DJs unka-neecie! 2 dj's, one idea... bring more to music

We still have issue #2 of the IHR Zine available! This issue showcases our wonderful toymakers!

There are just a few vintage IHR t-shirts left, and we have buttons and stickers so you can show off your good taste in shopping!

Remember to support your local Rollerderby Team, The Jet City Rollergirls!

And if you have a chance, send a donation to Ginger's Pet Rescue to help her keep on doing the amazing work she does.

So if you are LUCKY enough to be in Seattle this weekend, go check out IHR at the Crocodile and tell them Marimello sent you!

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8.29.2007

Stitch Applications are due Today

From our Friends over at Naughty Secretary Club and the Austin Craft Mafia:


If you have been debating whether of not to show your clothing line on the runway or sell you handmade goodies in the craft bazaar on Nov 10th, debate no longer. Stitch must have your application in today as we are choosing the designers and vendors on Thursday.
Application
here.
We are also still interested in swapping sponsorship packages for tote bags. If you want your tote bags in the hands of 500 Austinites email Jennifer at info [at] naughtysecretaryclub [dot] com We ask that the bags be large enough to hold magazines and that you can donate at least 10. Tote bags must be received by October 1st.
Want to sponsor Stitch? Join companies like Simplicity, Etsy, Duncan, Sublime Stitching, Dremel, Bust Magazine, Sakura, Baby Lock and more by supporting Austin’s largest independent fashion show and craft bazaar. We have packages for as low as $100! Email Jennifer at info [at] naughtysecretaryclub [dot] com if you are interested. This is a great way to spread the word about your business!
We’ll see you at Stitch Nov 10th at the Austin Convention Center.


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8.14.2007

God How We Love the Local News

We know it's old timey to craft. But it's really only a little bit old timey; say maybe only on the public transit. Other circles we travel in think it's A-OK and totally hip to the jive, if not a little trendy. So we were happy to see this posted as news today. Offbeat crafting billed so shockingly makes us feel fresh and young again!

But the breaking new we really wanted to bring you was that Marimello wriggled in the glow of the spotlight today. We know that it's gauche to mention, but fuck it.
Check us out in Pack Rat Magazine and on Manolo. We made him blush. Ayyyy!

So shine on you wacky indie! Or indie wackos. We forget which. We'll deal with Miss Web 2.0 Manners next.

Ideas Unbound: Interview with David Bernstein Part II

Digital content (i.e. your patterns, your words, your pics) will find an audience who doesn’t want or need to pay. This is faboo if you are posting on say Instructables, but not so if you are trying to make a buck. So, we’re back with part deux of the David Bernstein interview where in we discuss the desire for digital content to be free, what gets the New Pamphleteer out the door, and the future of print in the digital age. The New Pamphleteer has embraced the ideas which big publishing houses have not and has big plans for navigating the murky waters between print and digital formats.

M: Many publishers, small and large, are worried about giving away any scrap of their merchandise, including allowing access to a book via Google Book Search or Amazon Search Inside the Book. But you send out an ebook version of your pamphlets to everyone who orders. While we may be so sated with the instant readability, who says we're not gonna turn around, print it out and circulate it our damn selves?

DB: Our mantra on this is unoriginal, but true: Digital content wants to be free. Ebooks are to, me, a not particularly attractive product as a reader. What advantage do they have, as currently constituted, over printed books? The bottom line is, if someone really wants the content, they want to own it in physical form. If they only want to read it, but aren't willing to pay ... well, they would just borrow the printed book from a friend or a library, or but a used copy fro a buck from Amazon. For us, ebooks are just an easier way to let people pass around our stuff to their friends, which I don’t see as a bad thing. The more people who see our pamphlets, the better it is for us. Marketing guru Seth Godin proved this a few years ago, when he gave away the ebook version of one of his books and saw sales of the physical copies skyrocket. Most publishers are terrified of this model, but we're pretty certain that it’s what the future will hold – at least until someone comes up with a more interesting (meaning interactive and fun) way of creating ebooks. Which I might add, is one of our goals as well.

M: Your background in big publishing houses suggests to us that you've had lots of lots of in-house resources—designers, copyeditors, publicists, worker bees, knuckle draggers, etc. Are the Pamphlet Guys handling these tasks with freelancers or what?

DB: We have a VERY talented pool of freelancers who do our design, copyediting, and publicity. But we also do quite a bit ourselves.

M: Aside from revolutionize publishing and the digital stream of consciousness on the web, have you got any big plans in the works? Because we think you are onto something. We think the fate of creative industries, and those that support them lie in the hands of the indies.

DB: As I alluded to earlier, we have big plans for the future relating to ebooks. Print and digital are going to continue to converge in ways that are difficult to predict, but we plan to be right at the center of it, creating a whole range of innovative products. Our logo says "The Future of Print in a Digital Age" which I think sums it up perfectly. Print is going to look different. Digital is going to look different, as our ways of accessing content continue to evolve as a result of new products and technologies. And I think the line between the two will just get blurrier.





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8.13.2007

Ideas Unbound: David Bernstein of the New Pamphleteer Part I

For some time we've been thinking about how the ever-expanding world seems constantly to be reeled in by indie minds and indie ventures and so far it has involved some of the most interesting people we've ever met. Most recently we've had a chance to chat with David Bernstein of The New Pamphleteer (or one of the Pamphlet Guys as we have been referring to him). A joint venture of David Bernstein and Adam Bellow, The New Pamphleteer started out as an effort to sift through the best of online writing and putting it into print. Fascinated with the way The New Pamphleteer mantra has lined up with the digitization of the craft world through online mags, zines and social networking sites, Marimello traded a few friendly emails. We'll post the rest tomorrow.
Sample their wares here.

M: A little background por favor: What's your inspiration for filtering the digital stream; taking blogs and putting them on the printed page?

DB: Initially, we saw value in preserving some of the most interesting online content in print for both commercial and archival reasons. However, over time we have become less interested in blog content than in we are in the bloggers themselves, many of whom are terrific writers and thinkers. The reason that blogs have become so popular as an outlet for talented writers is that there are numerous artificial barriers preventing these folks from publishing with mainstream outlets – from the need to get an agent, to having a media profile, to gaining the right contacts. What we want to do is open up the publishing process a bit, by allowing talent to find an audience over time rather than being beholden to the vagaries of the Barnes & Noblization of publishing – the trend that increasingly requires every book to be a “bestseller.”

M: Can you help elaborate on the difference between a zine and a pamphlet?

DB: Well, to me 'zines have this underground, haphazard feel to them. Multiple authors under one cover, no real point-of-view or consistency throughout. Not that 'zines can't be fun and interesting, but what we are doing is different – a pamphlet has a single point-of-view, a consistent voice, and a purpose in terms either providing concrete information or advancing an idea, argument or viewpoint.

M: Why'd ya pick a fashion blogger like Manolo [the shoe blogger] (aside from the fact that he is genius complete)? What's the submission process?

DB: Manolo is the ideal example of what we look for in an author – a rich blend of talent, a strongly passionate connection with a loyal online audience, and a mischievous entrepreneurial streak. In the case of Manolo, he was one of the first authors we sought out. But at the same time, we are very eager to see unsolicited submissions as well. One of our most successful, and I think best written, offerings is “Raising Wild Boys Into Men: A Modern Dad's Survival Guide” by Kansas blogger Tony Woodlief. Tony sent us about 6 pamphlet proposals by email before we settled on this one. We're also working on putting together a contest where we invite submissions, and we'll post them as ebooks and let the public decide which should be published in print.

M: Who are your target readers? What's the distribution process like?

DB: Our readers are the same people, by and large, who read blogs. We see the pamphlet as a physical extension of the online connection which top bloggers have with their readers. In pure marketing terms it's a “brand extension”-- like when you buy a Spider-Man t-shirt to go along with your closet full of comics. Currently, we distribute primarily through our own website. We sell a bit in independent bookstores, and we also have negotiated several bulk distribution deals with brick and mortar partners. In general, though, we have stayed away from traditional retail channels (and I count Amazon among those) because, first, they take too much of our money and second, we like having direct relationships with our customers, which is something you lose with retail sales.

M: Do you see these pamphlets as possible promotional tools for say a community effort? Say a publicist who reps a bunch of writers or designers? Or for that matter a bunch of writers who can't get it all together at Kinkos?

DB: The cool thing about the pamphlet format is that it can be purposed for pretty much any kind of content. We are looking at a wide range of opportunities and ideas right now, including using them for promotional purposes, reprinting classic or archival material, and even doing short graphic novels. So yeah, any ideas people have we're willing to entertain.


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8.10.2007

Smashing Darling: a new marketplace for indies

Speaking of interesting sites for indie minds, check out the interview with Trish Ginter and Julie Rorrer of Smashing Darling on PR Couture. Smashing Darling is another growing online community, resource and commerce site for the indie world. We even spied a few familiar Etsy faces. The Smashing girls tackle questions about what exactly indie is, how to more effectively use indie marketplaces and how to use multiple indie marketplace shops to your advantage.

And a quick word on PR Couture; it's a hot site for fashion PR, but it's also a good resource for crafty minds who might be in need of a little self-promotional advice.

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6.22.2007

Ready, Set, Film: Marimello Spaces Out!

Oh NO! In all our anger and frothing at the mouth earlier about what a crap week it has been we forgot to send out the love for the very cool the 48 Hour Film Project happening this weekend in Los Angeles. If you haven't heard from you film school hottie this weekend, maybe this explains it all. Come out in droves next weekend, when the films will be screened. If you think you're on deadline, or you think the pressure for an upcoming event is too much, then you haven't lived through making a film in 48 hours. These people are indie hardcore!
In a nutshell, the 48 our Film Project is exactly what it sounds like only harder. Participating teams have an infinite time period to put together a crew and cast, but only 48 hours to write, edit and complete the entirely original film. The hard (or fun, depending on your yum/yuck threshold) part is keeping them honest. At 7 p.m. on Friday each team was issued a mandatory set of rules including a genre, a character's name and occupation, a prop and a line of dialogue. Films are due on Sunday at, duh, 7 p.m.
Now, Marimello likes a tight deadline as much as the next journo, but when it comes to crafting, we haven't seen much of this balls out, indie spirit. Just for spite, in the coming days Marimello will post a timed crafting challenge. We just have to think of something accessible and ludicrous enough to make you balk and pony up. Get your sticks out and dig through your most unappealing leftovers. You know that's where we'll be heading first.
Ready, Set, Craft.

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6.21.2007

Functionality Friday: Wear Black this Weekend

Good news first, or bad news?
Bad news? You sick freak.
JT Leroy defrauded the movie company, a federal court said today. Why is this bad news? Well one, because finding out JT Leroy wasn't real in the first place was, as David Segal said in the Washington Post, "like finding out John Updike is a robot." If that didn't make 2005 bad enough, finding out two years later that the courts now get to decide when fiction is business fraud, is way worse. It's a sad day for creativity and a sad end to a really interesting tale.
Also in the sad news department, indie publishers took a hit, well a while ago, but it's all flooding back with the sort of fire sale over at McSweeney's. Real quick, the distributer for McSweeney's and 130 other indie publishers, Advanced Marketing Services (AMS) went bankrupt back in December. What's so indie about having a distributer anyway? Well Priya Jain puts it simply in Salon."You can't sell a book if no one knows where to find it, and in helping [indie pubs] overcome that problem , PWG [who was bought by AMS] had become indie publishers' most indespensible partner." It's a valuable lesson for anyone looking to expand their audience/market, and we suppose it's the only sunny side to the story; stay indie, stay self reliant, and stay strong. See it as a big lesson on corporate accounting and take a page from Richard Nash, publisher of Soft Skull, who states, "the independents got fucked by the Enron of publishing."

So what could possibly be the good news? Aside from the rather somber lessons to be learned? Well Marimello enjoys a good celebrity sighting as much the next Angeleno, so not to get all Crafty TMZ on you all, but did any one check out the cover of Woodturning Basics? That's right William H. Macy is coming out crafty. How sweet it is.

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